Finding time to research historical facts by reading non-fiction.
Last night my five year old granddaughter had a sleepover at my house. This morning, as a reward for her excellent behaviour for the last month I took her to Gambados, an indoor play area. We were there for two hours. In spite of the loud background music, parents talking and many children having a good time, I got on with my research.
I read and put post it notes with remarks on pages of particular interest. An added bonus were the ideas for the plot and descriptions in my new clean Regency novel, Tuesday's Child.
Showing posts with label Historical Research. Show all posts
Showing posts with label Historical Research. Show all posts
Thursday, 20 August 2015
Saturday, 15 August 2015
The Regency Era and The Minuet
I enjoy historical research. Today I have been reading about dancing and music. In 1816 Thomas Wilson, a dance master, insisted the stately minuet should open a ball. In 1813 the Prince Regent held a ball that began and ended with a minuet. As far as I know, it was unusual to end a ball with one,
In towns such as Bath where there were many elderly people balls began with a minuet during the first quarter of the 19th century and, possibly, later.
In towns such as Bath where there were many elderly people balls began with a minuet during the first quarter of the 19th century and, possibly, later.
Friday, 14 August 2015
Historical Research
It is all too easy to become careless about research when writing a novel whether it is contemporary or historical
I knew that young boys in the Regency wore dresses and ankle length drawers. However, I assumed they were breeched by the age of three.
The heroine in my new novel, Tuesday's Child, has a three and three quarter year-old son.
I researched children's clothes. Boys wore skeleton suits. The ankle length trousers fastened with buttons to a tight jacket that had a double row of buttons fastened down the front. Alternatively, the trousers were fastened to a shirt, so that the jacket could be left open to reveal frills down the front of a blouse, which had a wide collar edged with a frill.
I described young Arthur in his 'skeleton suit' and tried, unsuccessfully, to find out if the term was used in the Regency period.
After much more research I found out that boys were not breeched until they were about five years of age. Arthur now wears a gown with a high waist and low neck, ankle length drawers, and white stockings. When he goes out he wears a top hat instead of a bonnet that girls wore.
I still need to research fabrics - materials, wool, cotton, silk, plain, sprigged, patterned or tartan.
As a historical novelist I try my hardest to be accurate.
Rosemary Morris
Saturday, 12 November 2011
The Challenge of Writing Historical Fiction
All the good advice given in books on how to write fiction is applicable to writing historical fiction.
Writers must enjoy writing even when they encounter obstacles. This is particularly true of writing historical fiction. Historical novelists require a profound interest in all things historical.
The historical novels that I read more than once sweep me into the activities and ‘mind sets’ in a way which I enjoy.
When writing historical novels I enjoy recreating times past and presenting plots and themes unique to the country and era that I present to my readers.
Thomas Carlyle 1795-1881 wrote: “No great man lives in vain. The history of the world is but the biography of great men.” (Today, he might have written: Great men and women.) To add veracity to my fictional characters I either mention or allow historical characters to play a part. In my forthcoming release Tangled Love Queen Anne, the Duke of Marlborough and his wife, Sarah, Duchess of Marlborough have their place. All too often, there is not as much information about less important people as a novelist would like. However, imagination is any novelist’s best friend, and a historical novelist can people novels with colourful but imaginary characters.
History, or Herstory, interests me and provides more ideas than I have time to develop; but what is history? One of the definitions in Collins English Dictionary is: “A record or account, often chronological in approach of past events, developments etc.” Thomas Carlyle wrote: “What is all knowledge too but recorded experience and a product of history; of which, therefore, reasoning and belief, no less than action and passion, are essential materials?” Yes, indeed, these are the heady ingredients which historical novelists can incorporate in novels.
For various reasons many people’s knowledge of history is scant. For example, Charles II, the merry monarch, is fairly well known but his niece Queen Anne is not. Yet most people are interested in the past even if history did not interest them at school and they chose to study – for example – computer studies, catering or modern languages. Programmes such as Downton Abbey, the first two parts of which have been shown on television in the U.K., has attracted a vast audience. No doubt they will generate further interest in the era prior to and during the 1st World War. Undoubtedly, this interest will increase the sales of fiction and non fiction relevant to the period.
Last week, in my blog about Writing Historical Fiction, I referred to my dislike of novels in which history is ‘despoiled.’ Fiction must entertain, but it is also the author’s responsibility to reveal past times and interpret history as accurately as possible. There should be much more than dressing characters in costume and allowing them to act as though they are twenty-first century people. For example, when writing about countries in which Christianity predominated, religious conflict can provide a powerful theme but faith and attendance at church is often ignored.
Rosemary Morris
Forthcoming releases from MuseItUp Publishing
Tangled Love 27.01.2012
Sunday’s Child 06.2012
Writers must enjoy writing even when they encounter obstacles. This is particularly true of writing historical fiction. Historical novelists require a profound interest in all things historical.
The historical novels that I read more than once sweep me into the activities and ‘mind sets’ in a way which I enjoy.
When writing historical novels I enjoy recreating times past and presenting plots and themes unique to the country and era that I present to my readers.
Thomas Carlyle 1795-1881 wrote: “No great man lives in vain. The history of the world is but the biography of great men.” (Today, he might have written: Great men and women.) To add veracity to my fictional characters I either mention or allow historical characters to play a part. In my forthcoming release Tangled Love Queen Anne, the Duke of Marlborough and his wife, Sarah, Duchess of Marlborough have their place. All too often, there is not as much information about less important people as a novelist would like. However, imagination is any novelist’s best friend, and a historical novelist can people novels with colourful but imaginary characters.
History, or Herstory, interests me and provides more ideas than I have time to develop; but what is history? One of the definitions in Collins English Dictionary is: “A record or account, often chronological in approach of past events, developments etc.” Thomas Carlyle wrote: “What is all knowledge too but recorded experience and a product of history; of which, therefore, reasoning and belief, no less than action and passion, are essential materials?” Yes, indeed, these are the heady ingredients which historical novelists can incorporate in novels.
For various reasons many people’s knowledge of history is scant. For example, Charles II, the merry monarch, is fairly well known but his niece Queen Anne is not. Yet most people are interested in the past even if history did not interest them at school and they chose to study – for example – computer studies, catering or modern languages. Programmes such as Downton Abbey, the first two parts of which have been shown on television in the U.K., has attracted a vast audience. No doubt they will generate further interest in the era prior to and during the 1st World War. Undoubtedly, this interest will increase the sales of fiction and non fiction relevant to the period.
Last week, in my blog about Writing Historical Fiction, I referred to my dislike of novels in which history is ‘despoiled.’ Fiction must entertain, but it is also the author’s responsibility to reveal past times and interpret history as accurately as possible. There should be much more than dressing characters in costume and allowing them to act as though they are twenty-first century people. For example, when writing about countries in which Christianity predominated, religious conflict can provide a powerful theme but faith and attendance at church is often ignored.
Rosemary Morris
Forthcoming releases from MuseItUp Publishing
Tangled Love 27.01.2012
Sunday’s Child 06.2012
Sunday, 9 October 2011
Writing Historical Fiction
Writing Historical Fiction
Historical fiction embraces different periods.
Prehistory, Ancient civilisations such as Egyptian and Indian, Classical (Mainly Greek and Roman History)Biblical, From the 1st century to the 20th century, Multi-period, Timeslip, Historical Fantasy, Alternative History, Children and Young Adult.
Historical Fiction can also be divided into different genres.
Fiction based on the lives of people who lived in the past.
Adventure, Romance, Crime, Thrillers and Whodunits, Mysteries,Military
These can be further divided into subgenres.
Arthurian, Mediaeval, Tudor, Elizabethan, Stuart, Georgian, Regency, Victorian, Edwardian, 1st World War, 2nd World War, Sagas, Pyschological Thrillers, Gothic (and Horror), Colonial U.S.A., Colonial, Civil War, American and its subgenre Native American Frontier, Canada, Australia, New Zealand, Pirate and Naval.
More classifications can be found in Sarah Johnson’s Historical Fiction, A Guide to the Genre in which a chapter on sagas she includes authors from Africa, Asia, the Middle East, Latin America and many others.
Whichever period a historical novelist chooses to write about, research is vital. The reader needs to experience the sights, sounds and smells, visualise costume and places and enjoy the reconstruction of the era the novel is set in.
I don’t think any historical novelist can get every detail about life in the past correct but she or he can research conscientiously and, without drowning the reader in facts, convey past times as accurately as possible. Failure to do this means the reader loses faith in the author. There are examples which caused me to lose faith.
In the first example, the author referred to a tea gown spread over a crinoline in the Victorian era. The Victorians did not wear gowns called tea gowns over crinolines. Tea gowns were worn by Edwardians and were not spread over crinolines.
In the second example, in the days when mediaeval castles and keeps did not have windows, a knight in full armour scaled the castle walls, (how did he find footholds?) to the turret where his lady was imprisoned. After he climbed in through the window, the lady greeted him with smile and asked. ‘Would you like a nice cup of tea and some eggs and bacon?’ Well, she might have been referring to herb tea and I’m daresay they ate eggs with bacon but the reference seemed too modern.
Historical fiction embraces different periods.
Prehistory, Ancient civilisations such as Egyptian and Indian, Classical (Mainly Greek and Roman History)Biblical, From the 1st century to the 20th century, Multi-period, Timeslip, Historical Fantasy, Alternative History, Children and Young Adult.
Historical Fiction can also be divided into different genres.
Fiction based on the lives of people who lived in the past.
Adventure, Romance, Crime, Thrillers and Whodunits, Mysteries,Military
These can be further divided into subgenres.
Arthurian, Mediaeval, Tudor, Elizabethan, Stuart, Georgian, Regency, Victorian, Edwardian, 1st World War, 2nd World War, Sagas, Pyschological Thrillers, Gothic (and Horror), Colonial U.S.A., Colonial, Civil War, American and its subgenre Native American Frontier, Canada, Australia, New Zealand, Pirate and Naval.
More classifications can be found in Sarah Johnson’s Historical Fiction, A Guide to the Genre in which a chapter on sagas she includes authors from Africa, Asia, the Middle East, Latin America and many others.
Whichever period a historical novelist chooses to write about, research is vital. The reader needs to experience the sights, sounds and smells, visualise costume and places and enjoy the reconstruction of the era the novel is set in.
I don’t think any historical novelist can get every detail about life in the past correct but she or he can research conscientiously and, without drowning the reader in facts, convey past times as accurately as possible. Failure to do this means the reader loses faith in the author. There are examples which caused me to lose faith.
In the first example, the author referred to a tea gown spread over a crinoline in the Victorian era. The Victorians did not wear gowns called tea gowns over crinolines. Tea gowns were worn by Edwardians and were not spread over crinolines.
In the second example, in the days when mediaeval castles and keeps did not have windows, a knight in full armour scaled the castle walls, (how did he find footholds?) to the turret where his lady was imprisoned. After he climbed in through the window, the lady greeted him with smile and asked. ‘Would you like a nice cup of tea and some eggs and bacon?’ Well, she might have been referring to herb tea and I’m daresay they ate eggs with bacon but the reference seemed too modern.
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